![]() That the philosophy was partly subsumed into stylistic architectural and design movements isn't surprising, but Morris would probably have found it unfortunate. ![]() The father of the movement, William Morris, was himself a textile designer, and his nature-derived patterns are still recognizable in the fabrics associated with Arts and Crafts today. Of course, it was never the case that Arts and Crafts wasn't associated with visual style. In America, the movement transformed in a way that resembled nothing so much as syncretism, in which the value of craft and manual labor mixed with the ideals of capitalism and perhaps inevitably incorporated mass production and commercialization. Art Nouveau abandoned the Arts and Crafts concept of natural materials and showed no compunction about technology, says The Art Story. In the process, philosophy gave way to aesthetic and economic considerations. As the movement aged and deepened, its diverse branches became associated with various, more concrete schools of visual design and style, such as the European Art Nouveau movement and Frank Lloyd Wright's Prairie Style.
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